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Beautifully illustrated by renowned artist Eddie Campbell, this is a limited edition of Neil Gaiman’s award-winning novelette “The Truth is a Cave in the Black Mountains” signed by Gaiman and Campbell.
The text of The Truth is a Cave in the Black Mountains was first published in the collection anthology Stories: All New Tales edited by Neil Gaiman and Al Sarrantonio. This gorgeous full-color illustrated book version was born of a unique collaboration between writer Neil Gaiman and artist Eddie Campbell, who brought to vivid life the characters and landscape of Gaiman’s story. In August 2010, The Truth is a Cave in the Black Mountains was performed in the concert hall of the Sydney Opera House to a sold-out crowd—Gaiman read his tale live as Campbell’s magnificent artwork was presented, scene by scene, on large screens. Narrative and art were accompanied by live music composed and performed especially for the story by the FourPlay String Quartet.
This deluxe limited edition will have a beautiful clamshell case and vellum cover overwrap.
- Sales Rank: #945073 in Books
- Published on: 2015-08-25
- Released on: 2015-08-25
- Original language: English
- Number of items: 1
- Dimensions: 10.44" h x 1.02" w x 7.93" l, .0 pounds
- Binding: Hardcover
- 88 pages
Review
“There is a stark simplicity in Mr. Gaiman’s prose in this deceptively dark tale of how far men will go to achieve their heart’s desire only to find that the achievement pales in comparison to the desiring.” (Pittsburgh Post-Gazette)
“Gaimain (Anansi Boys) has crafted a fresh story of magic, humanity, loyalty, and memories ‘waiting at the edges of things,’ where lost innocence can be restored as long as someone is willing to bear the cost.” (Publishers Weekly (starred review) on THE OCEAN AT THE END OF THE LANE)
“Part fable, part fairy tale and part cautionary tale, The Ocean at the End of the Lane is by turns hauntingly beautiful, painfully intense, funny, witty, wise, scary, and heart wrenchingly sad.” (SFRevu on THE OCEAN AT THE END OF THE LANE)
“A terrifying shift in the nature of things lies at the heart of Neil Gaimain’s rich new novel.” (The Guardian on THE OCEAN AT THE END OF THE LANE)
“Poignant and heartbreaking, eloquent and frightening, impeccably rendered, it’s a fable that reminds us how our lives are shaped by childhood experiences, what we gain from them and the price we pay.” (Kirkus Reviews (starred review) on THE OCEAN AT THE END OF THE LANE)
“[T]here isn’t much Gaiman can’t do when it comes to writing.” (Denver Post on ANANSI BOYS)
“A hybrid of folk tale and farce that freely partakes of the comic wealth in each, slipping effortlessly back and forth between them . . . Anansi Boys is Gaiman’s tribute to [Anansi’s] trickster spirit, as nimble and resourceful as his own imagination.” (Salon on ANANSI BOYS)
“Original, engrossing, and endlessly inventive; a picaresque journey across America where the travelers are even stranger than the roadside attractions.” (George R. R. Martin on AMERICAN GODS)
From the Back Cover
You ask me if I can forgive myself?
I can forgive myself . . .
And so begins The Truth Is a Cave in the Black Mountains, a haunting story of family, the otherworld, and a search for hidden treasure. This gorgeous full-color illustrated book version was born of a unique collaboration between New York Times bestselling author Neil Gaiman and renowned artist Eddie Campbell, who brought to vivid life the characters and landscape of Gaiman's award-winning story. In this volume, the talents and vision of two great creative geniuses come together in a glorious explosion of color and shadow, memory and regret, vengeance and, ultimately, love.
. . . for many things. For where I left him.
For what I did.
About the Author
Neil Gaiman is the New York Times bestselling author of the novels Neverwhere, Stardust, American Gods, Coraline, Anansi Boys, The Graveyard Book, Good Omens (with Terry Pratchett), The Ocean at the End of the Lane, and The Truth Is a Cave in the Black Mountains; the Sandman series of graphic novels; and the story collections Smoke and Mirrors, Fragile Things, and Trigger Warning. He is the winner of numerous literary honors, including the Hugo, Bram Stoker, and World Fantasy awards, and the Newbery and Carnegie Medals. Originally from England, he now lives in the United States. He is Professor in the Arts at Bard College.
Cover artist Eddie Campbell created the Bacchus comic series and the semiautobiographical Alec graphic novels, and is the artist behind From Hell (created with Alan Moore). Campbell lives in Australia. The print and ebook editions of The Truth is a Cave in the Black Mountains include Campbell’s original art throughout.
Most helpful customer reviews
38 of 42 people found the following review helpful.
Bedtime story
By Stigabo
Neil's wondrous work left me feeling like like a happy child again. At the end, I felt like pulling on his sleeve. "Read it again, please!" No problem. Neil's voice is available any time. What a gift! Knowing it would be there, I could get on with morning chores. Nobody does myth like Gaiman. There were some places that still need a good proofreader, though. I didn't mind places where the read text diverged from the print, which was explained in the postscript. That just felt more like Neil's right here reading to me. Careless copy editing, though, is inexcusable in a text this short. Not enough to drop a star...Gaiman's too good for that...but enough that I'd ask that a repaired copy replace those sent out in early sales. There aren't that many errors, so go fix the bloody thing!
35 of 39 people found the following review helpful.
A Skye folk tale, not for children
By James Tourtelott
Neil Gaiman's new book, The Truth is a Cave in the Black Mountains, looks in layout and design like a children's book. But it is no more a tale for children than those the Grimms collected. It is in form a Skye folk tale, and like any such tale has echoes of the 45 and of the King over the water. It is as hard and sharp and precise of detail as a folk tale, and as dark and violent as well. I read it in less than an hour. I doubt I will forget it, and would not be surprised to dream of it.
22 of 24 people found the following review helpful.
"...and that way is treacherous and hard"
By FictionFan
"You ask me if I can forgive myself? I can forgive myself for many things. For where I left him. For what I did. But I will not forgive myself for the year that I hated my daughter..."
So starts this dark tale of a journey, a quest into the Black Mountains to find a cave - to find the truth. Our narrator is a small man, a dwarf, but he's strong and he's driven; by what, we don't yet know but we feel a slow anger in him, an undiminished determination despite his ten year search for the object of his obsession. As we meet him, he is about to hire a guide, Calum MacInnes, to take him to a cave on the Misty Isle which is reputed to be filled with gold...
This book is nothing less than stunning. Gaiman's wonderfully dark story is equalled and enhanced by the amazingly atmospheric illustrations of Eddie Campbell. The two elements - words and pictures - are completely entwined. There's no feeling of the one being an addition to the other - each is essential and together they form something magical. The tale is by turns moving, mystical, dramatic, frightening; and the illustrations, many of them done in very dark colours, create a sense of mirky gloom and growing apprehension and, as the story darkens, some of the later pictures are truly macabre and unforgettable.
Gaiman was apparently inspired to write the story by his visits to the Isle of Skye and the legends of the Hebrides. While the pictures quite clearly place the story in the Highlands - the kilts, the purples and greens, the blackness of the mountains - Gaiman has very wisely steered clear of any attempt to 'do' dialect. The book is written in standard English, but with the lush layering of traditional legends and with a rhythm in the words that really calls for it to be read aloud. Perhaps this isn't surprising since the story was originally devised to be read by Gaiman himself at the Sydney Opera House with Campbell's illustrations projected as a backdrop. I was the lucky, lucky recipient of a hardback copy of the book, but apparently the Kindle Fire edition has audio and video links, though to what I don't know. However, the book is so beautiful that, devoted though I am to my Kindle, this is one where I would strongly recommend the paper version.
All the way through, the story is foreshadowing the eventual end as if to suggest that all things are fore-ordained. It's well worth reading the book twice in fact (it's only 73 pages) - the first reading has all the tension of not knowing how it ends, while the second reading allows the reader to see how carefully Gaiman fits everything together to create the folk-tale feeling of inevitability. And then read it again a third time, just because it's wonderful. I end where I began - stunning!
NB This book was provided for review by the publisher, Headline.
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